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  • Bobby Caldwell (Contemporary Jazz Vocalist)

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    5 posts, 4 voices, 776 views, started Aug 26, 2010

    Posted on Thursday, August 26, 2010 by Denise Richardson

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      Biography  

      Bobby Caldwell was likely destined to be an entertainer. The son of Bob and R.H. Caldwell, longtime singers and dancers who were also the hosts of an early TV variety show, Suppertime, he was raised in a world surrounded by great entertainers and classic music. Exposed by his parents to opera, jazz, swing, blues, folk and other popular forms of music, he developed an early appreciation for the different architectures of various types of music—an appreciation that would later help him to move from soul to adult contemporary to smooth jazz to big band sounds during his career.  

      Leaving home at age 17 with his band, Bobby went first to Las Vegas and then to Los Angeles before returning to Miami to record his 1979 eponymous debut album. It became an instant smash on the strength of “What You Won’t Do For Love,” a spellbinding mid-tempo number that would became one of the most recorded songs of the next two decades (with hit remakes by Peabo Bryson and Natalie Cole, Go West and Phyllis Hyman, among others).  Ironically, that track almost didn’t make the album. The LP was completed without the song, but TK Records head Henry Stone sent Caldwell back into the studio because he “didn’t see a hit” on the album.  Caldwell went back and quickly penned “What You Won’t Do For Love,” which ironically became his signature song. Overall, the album Bobby Caldwell was a solid debut that featured a few top notch ballads (“My Flame” and “Come To Me“) along with listenable, if unspectacular, light disco tunes.  

      Bobby went to a more piano-based sound on his follow up, Cat In The Hat, which yielded the hit “Coming Down From Love” but was not nearly as popular as its predecessor. In 1982 he released Carry On, perhaps his finest album and the one that clearly established him as a first-rate songwriter. While the LP was not a hit, it was a complete joy front to back, with beautifully structured and performed songs such as “Jamaica,” “All of My Love,” “Loving You” and “Sunny Hills,” and the development of a different, more unique sound that lifted Caldwell from the shadow of being another guy who sounds like Stevie Wonder.  

      After Carry On’s commercial disappointment, Caldwell virtually disappeared as a performer in the U.S. for the remainder of the decade, though he was immensely popular in Asia. During that period he focused on his songwriting and became associated with hit producer David Foster.  His output was exceptional, as he penned hit songs for the Commodores, Chicago and Boz Scaggs and, most notably, the platinum smash “Next Time I Fall” for Peter Cetera and Amy Grant.  

      Caldwell’s success as a writer led to an offer by Polydor to record a new album for the Asian market, consisting largely of his biggest compositions of the 80s. The album, Heart of Mine, became a major international hit and his vehicle for a return to the US market. Heart of Mine’s US release in 1989 found a growing new genre ready to embrace Caldwell: Smooth Jazz. The disc became a bit seller and established Caldwell as one of the early voices of the emerging Smooth Jazz movement.    

      In 1991, Caldwell reestablished himself as a star, releasing Stuck On You, another album of quality cuts. It shot to the top of the Smooth Jazz charts and received play on urban adult contemporary stations. He followed it with the equally solid Where Is Love in 1993. As an artist clearly influenced by the soul artists of the 60s and 70s, in 1995 Bobby released Soul Survivor, an album of mostly covers of classic soul tunes, highlighted by his versions of Dionne Warwick’s “Walk On By” and the Emotions’ “Don’t Ask My Neighbors.” It became another hit. He also served as a frequent guest vocalist on albums by other jazz artists, including the Crusaders and Richard Elliott.  

      The formative years watching his parents perform came back in full swing in 1997, as Caldwell made Blue Condition, a big band album that was more authentic and far superior to the “standards” albums that other rock and pop artists had released over the previous decade. Again emphasizing his talent as a songwriter, Caldwell wrote a handful of period pieces and mixed them with classic songs of the 40s and 50s—and his compositions held up well next to the classics. Best of all was his “Tomorrow,” a breathtaking ballad that was one of the year’s best cuts. He followed Blue Condition with Come Rain or Shine, another big band album. He also release a two volume anthology, Timeline (featuring his biggest hits) and Time and Again (with his versions of his most popular compositions for other artists).  

      After several years off, Caldwell went back to the studio in 2005 for Perfect Island Nights, an album that was not as strong as its predecessors, but which nonetheless found a welcoming audience that kept it on the Contemporary Jazz charts for the better part of a year.  He returned two years later with the self-released Live at the Blue Note Tokyo CD, a disc consisting of live recordings of jazz standards.  

      In 2007 Caldwell completed his move to the East Coast and finished building a new in-home studio.  He plans to begin recording a new pop/soul album during 2008.  

      by Chris Rizik

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